Tinuke is not like all the other Nigerian girls in Canada. She’s spent the night at Bankole’s place. As Sunday morning wears on, the two friends share each other’s company and think about a dark moment in their past.

Afolabi’s story is delicate and inward. Originally published as an audio story in DRUM: A Literary Magazine Your The Ears, “Force” is a story that gets a good bit of its power from the author’s reading.

The cadence and texture of Afolabi’s voice as he reads makes the sadness of the story infectious.

LISTEN:

Audio MP3

I asked Afolabi to reflect on what it was like making the shift from text to voice, and here is what he said:

Microphone Abstract by Micro43Flickr

 

Having to record my short story, as opposed to simply getting the text published was a bit challenging. It took about a year and a half before I heard back from The Drum, a literary audio magazine I’d sent my Open city-inspired short story to. So, I was eager to record. I had to find somewhere sound-proof or at least with minimal background noise. I am currently working and staying in a construction area and as you can imagine, it gets noisy. It was hard finding somewhere right, apart from a studio- which wasn’t an option for me. Hence, early in the morning at 5:30 when work hadn’t started, I recorded several versions of “Force.”

Recording my story gave me a different feel of it. As I read over and over the whole story and not just sections of it, my awareness of things such as pacing and continuity got heightened. Another interesting observation was the added intimacy between myself and my work that reading for an imagined audience produced. Words would roll out of my mouth even if I wasn’t looking at my screen. Recording gives you a chance at redeeming your writing, because you can play the role of performer and infuse emotions and feelings where necessary. It’s a great medium, though a bit of a hassle.

 

Image Source
“Microphone Abstract” Via
“Wild Mike Hair” Via

***

Afolabi Opanubi 1Afolabi Opanubi is a young Nigerian writer born and raised in the City of Lagos. He spent some time in Canada where he studied Environmental Science at Memorial University. His stories have been published in 34th Parallel and Rabbit tales. He lives and writes in Port Harcourt.

Tags: , , , , ,

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

One Response to ““The Secret Language of Sex” — Force by Afolabi Opanubi | An Audio Story” Subscribe

  1. Samuel Okopi 2013/11/28 at 03:26 #

    I thoroughly enjoyed this. And you are right, Ainehi: the character of the narrator’s voice helped greatly in making me connect with mood of the story.

    I really don’t know why some people do not warm up to audio narrations of stories.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Archives

Ikhide Ikheloa Expresses Concerns Over the 2017 Kaduna Book and Arts Festival

ikhide kabafest

The inaugural edition of The Kaduna Book and Arts Festival was announced a week ago. Read here if you missed […]

On Fragility and the Dynamics of Gay Love in Fiction | Interview with Arinze Ifeakandu, 2017 Caine Prize Shortlistee | By Ebenezer Agu

1462871_239347839556725_921861327_n

Arinze Ifeakandu is the first writer published by Brittle Paper before his shortlisting to be recognized by the Caine Prize. We […]

An Almost Year for the Caine Prize: 6 Records That Were Not Broken | By Nkiacha Atemnkeng

caine-prize

In 2017, several Caine Prize records almost got broken. But one did get broken. Sixty-five-year-old Sudanese Bushra al-Fadil is the […]

Ngugi’s Tribute to Memory | Review of Ngugi wa Thiong’o’s Birth of a Dream Weaver | By Kọ́lá Túbọ̀sún

brittle paper book review (2)

Title: Birth of a Dream Weaver: A Writer’s Awakening Author: Ngugi wa Thiong’o Publisher: The New Press Year: 2016 Where […]

A Tenderer Blessing | By Otosirieze Obi-Young | Fiction

otosirieze

  THE university campus in Nsukka was full of ixora, and it was beside one of the trimmed hedges in […]

Yaa Gyasi’s Homegoing Is Mandatory Reading for Stanford University Freshers

gyasi

Yaa Gyasi’s multigenerational novel Homegoing is now mandatory reading for freshers at her alma mater, Stanford University. The heavy-hitting first […]