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Adichie in Paris. Source: elle.com

In October, Adichie sat front row at a Christian Dior fashion show in Paris and watched models strutting the run way dressed in t-shirts bearing the inscription, “we should all be feminists.” [read here if you missed it.]

In a recent interview published on elle.com, Adichie takes us back to when Dior first invited her to attend the fashion show and how she declined but later changed her mind when Maria Grazia, Dior’s creative director, sent her a lovely hand-written note.

You’re probably wondering whether she had fun at the show. Aside from finding certain aspects of Fashion Week a bit “baffling,” she had a great time. “Dior showed me the loveliest hospitality, and so, personally, I had a very good time over all,” she says.

She also used the interview to reflect on the question of fashion and feminism, insisting that intellect and stilletoes are not mutually exclusive things.

We’ve selected a few key passages we think you’d like:

On the 2017 Christian Dior collection: 

Maria Grazia’s collection was very confident and felt very true, if that makes sense. It was the voice of a woman saying exactly what she wanted to say, and exactly how she wanted to say it, and I admired that enormously. And of course it helped that the clothes themselves were so beautiful; the dresses were ethereal and the jackets had a strong sort of grace—and that WSABF T-shirt wasn’t bad!

 

On having to choose between writing and fashion:

You don’t have to choose. And you don’t have to try to intellectualize it to make it more acceptable. So no your love of fashion doesn’t have to be a metaphor for the consciousness of multiple metaphysical selves or something. Your love of fashion can just be your love of fashion.

On society’s perception of powerful women who love fashion:

I sometimes wonder whether being ‘open’ about fashion is something women still have to ‘earn.’ That you are still expected to prove your ability first otherwise your appearance will still be used as a proxy for your ability or intelligence. Which is a shame. One of the tragedies of our lives as women is how much we internalize about what a woman should and should not be/do. Sometimes the harsh appearance-based assumptions about women come from other women.

On having her words sampled on the dresses:

I was chuffed, but mostly I was applauding Maria Grazia because ours is a world in which ‘feminist’ is still, sadly, a contested word and idea and she made a courageous and honest stand.

On her awareness of fashion growing up:

Maybe it was also growing up in Nigeria, where dressing-up is generally expected. My mother raised us to think of our appearance as an act of courtesy to others.

Read the full interview HERE.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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