Like-a-Mule

Sarah Ladipo Manyika’s second novel, Like a Mule Bringing Ice Cream to the Sun, has been featured in The New Yorker‘s “Briefly Noted” section, which means that we should expect a review of the novel from them.

Published in 2016 by Cassava Republic Press, the poetically-titled novel became the first by an African to be shortlisted for the Goldsmiths Prize, a development we highlighted considering how fiction from Africa is read primarily on the basis of its subject and rarely on style.

sarah-ladipo-manyika

Noted in The New Yorker: Nigerian novelist Sarah Ladipo Manyika.

In The New Yorker‘s recent feature, Like a Mule appears alongside Joselin Linder’s memoir The Family Gene, Mary Gaitskill’s essay collection Somebody with a Little Hammer, and Hannah Tinti’s novel The Twelve Lives of Samuel Hawley. Here is what the magazine said about Like a Mule.

The protagonist of this novel is an elderly Nigerian woman living in San Francisco and determined to match its youthful energy. “It’s harder to make young friends here than it is in places like Lagos or Delhi,” she laments. But her decision to mark her seventy-fifth birthday by getting a tattoo and buying the best pastries she can find leads to encounters with other rootless inhabitants—fellow-migrants struggling to adapt to a new home and native San Franciscans made newly homeless. A thread of self-deprecating humor transforms what could have been a morbid meditation on aging into a tale of common humanity. When an Italian-American cop resists fining her, she feels justified in believing that “there is much that binds Italians with Nigerians.”

Praised by Aminatta Forna, NoViolet Bulawayo, Benardine Evaristo, Brian Chikwava and E.C. Osondu, among others, here is a description of the novel by Cassava Republic.

Dr. Morayo Da Silva, a cosmopolitan Nigerian woman, lives in San Francisco. On the cusp of seventy-five, she has a zest for life and makes the most of it through road trips in her vintage Porsche, chatting to strangers, and reminiscing about characters from her favourite novels. Until she has an accident, crushing her independence. Without the support of family, she relies on friends and chance encounters to help keep her sanity. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband.

A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman.

In Nigeria, Manyika’s first novel, In Dependence, is currently being read for the Joint Admissions and Matriculation Board (JAMB) examination.

Congratulations to Sarah!

See the other noted books in The New Yorker.

Tags: , , ,

About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young was shortlisted for the 2016 Miles Morland Writing Scholarship. His first published story, “A Tenderer Blessing,” appears in Transition and was nominated for a 2015 Pushcart Prize. His second story, "Mulumba," appears in The Threepenny Review and has been translated into the German. His story, "You Sing of a Longing," is currently on the 2016 Gerald Kraak Award shortlist and is forthcoming in an anthology by Jacana Literary Foundation and The Other Foundation. His essays appear in Interdisciplinary Academic Essays and Brittle Paper where he is Submissions Editor. He edited Enter Naija—The Book of Places, an anthology of writing, photography and digital art about places in Nigeria created to mark Nigeria’s 56th Independence anniversary. Otosirieze teaches English at Godfrey Okoye University, Enugu. When bored, he blogs popular culture at naijakulture.blogspot.com or just Googles Rihanna. He is currently looking for an agent for his short story collection.

No comments yet.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Archives

Sarah Waiswa and Farah Ahamed Named Co-winners of the 2017 Gerald Kraak Award

sarah waiswa

The Ugandan-born Kenya-based photographer Sarah Waiswa and the Kenyan writer Farah Ahamed have been named co-winners of the inaugural Gerald […]

When We Talk about Kintu | By Ellah Wakatama Allfrey

image1

When Kwani? launched its Manuscript Project competition in 2012 the stated aim was to find the best unpublished novels by […]

“The Great Ugandan Novel” | Aaron Bady Hails Jennifer Makumbi’s Kintu

Kintu-event-image

Since its 2014 publication, Jennifer Makumbi’s Kintu has raced its way to hit status. Divided into six parts, the novel “reimagines […]

Judges Unveiled for the Black Letter Media Short Story Competition

black letter media

Black Letter Media has released the three-person list of judges for the 2017 edition of its short story competition. The judges […]

A Mosaic of Torn Places | Read the New Diverse Anthology of Young Nigerian Writers

FB_IMG_1495627371547

A Mosaic of Torn Places, the latest anthology of young writers out of Nigeria, collects ten stories of poignant diversity. […]

A Narrative of Home and Longing | Review of Inua Ellams’ #Afterhours | By Billie McTernan

ellams

In his new anthology-cum-diary-cum-memoir, #Afterhours, Nigerian poet Inua Ellams features a collection of poems written in-response to a well-considered selection […]