Ainehi Edoro, editor of Brittle Paper, Assistant Professor at Marquette University, will be speaking in Oslo.

What if African writers are read independent of their origin? What if they are read as though with a different identity? What if Chinua Achebe’s Things Fall Apart is read not as the story of an Igbo man in a society succumbing to colonialism but as that of a Frenchman adjusting to German occupation in World War II? What if Kojo Laing’s Search Sweet Country is read not as a Ghanaian recording a 1980s postcolonial culture but as a white American dealing with an imaginary post-racial culture?

What if they are read with no national identity at all? What if Wizard of the Crow affords Ngugi to be read not as a satirist of power-drunk African politicians but simply as a novelist working in the psycho-cultural—and often greed-ridden—space that is humanity? And Nuruddin Farah’s Maps is read not as a heart-wrenching chronicle of Somalia but as humanity’s troubling need for peace from anarchy?

In a 24 May event in Oslo where she will be the keynote speaker, the editor of Brittle Paper, Ainehi Edoro, will be answering, stretching, rephrasing, deconstructing and weighing these and similar questions. The event, titled “Un-Located Readings,” is organised by the Norwegian organisation Transnational Art Production (TrAP).

Ainehi will assess “the tendency in the field of literature to exotify African fiction, by first searching out the geographical references and it’s complementary expectations before valuating a text’s literary intrinsic values.” Her “multi-disciplinary discussion” will “emphasize the alternative” to “a culture relative reading of a work of art” which “may get in the way for an understanding of the work’s content,” making the work “not to get its proper assessment in the domain of art history.”

South African-Norwegian singer Nosizwe will join Ainehi in conversation.

After her lecture, Ainehi will be in conversation with the South African-Norwegian musician Nosizwe, who will first lead a blind-reading session, as a warm-up to her keynote. And then she will lead a workshop in “reading technique, on basis of the topic she raises.”

A professor of global Anglophone literatures at Marquette University, Ainehi has, in the past year, laid major groundwork for an overhauled reading of literature from Africa.

In a piece for The Guardian titled “How Not To Talk about African Fiction,” she highlights, using Amazon’s blurbs for Chimamanda Ngozi Adichie’s Americanah and David Mitchell’s Cloud Atlas, how the discussion of fiction from Africa is centered “not on the basis of its aesthetic value but of its thematic preoccupation.” Americanah, she points out, is marketed as “a powerful, tender story of love and racism” while Cloud Atlas is promoted as “postmodern…Nabokovian…mind-bending, philosophical and scientific speculation.” This article, TrAP states, ensured their interest in her work.

In another piece, “Beyonce Is Not Shining a Light on African Literature—It’s the Other Way Round,” Ainehi further lays to waste suggestions in the Western media that “being linked to Beyoncé had somehow upgraded Adichie into a truly global celebrity” and that Beyonce’s adaptation of Warsan Shire’s poetry reinforces her promotion of literature from Africa. Through clever analysis that proves how “Shire provides the vital connections that hold the work together,” she explains how Beyonce’s album “Lemonade is a very African project.”

This event, which is free of charge, will see participants afforded “an opportunity to encounter extracts of texts and to suggest its sources, ahead of the reference being made available.”

Here are key details.

Date; 24 May.

Venue: Kunstnernes hus, Oslo, Norway.

Time: from 10 a.m.

 

Find out how to attend at Un-Located Readings.

Tags: , , , , , ,

About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

One Response to “EVENT: Brittle Paper Editor Ainehi Edoro Presents Lecture on African Literature in Oslo | May 24” Subscribe

  1. Gwen S. 2017/05/19 at 22:29 #

    Congrats to you, Ainehi! Keep up the good work, I love this site! One if these days I’ll work up the courage to submit a piece.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Archives

The Reviews Are In! | Namwali Serpell Has High Praise for Jennifer Makumbi’s Kintu

Screen-Shot-2017-09-20-at-4.57.42-PM-e1505944728679 copy

Jennifer Makumbi’s Kintu is one of the hit novels of 2017. A historical drama, it tells the story of an 18th […]

New Website Collects Everything Binyavanga Wainaina Has Written Since the Late 1990s

A new Website has collected everything published by Binyavanga Wainaina since his writing career began in the late 1990s. The […]

Opportunity for All Writers | Submit to Vanguard Literary Services’ HIV/AIDS Awareness Anthology

To mark the 2017 World HIV/AIDS Day on December 1, Vanguard Literary Services, a bookselling company in Nigeria, has called […]

The Graywolf Press Africa Prize Launches with Igoni A. Barrett as Judge

igoni a. barrett

A new award just dropped: the Graywolf Press Africa Prize, for “a first novel manuscript by an African author primarily residing […]

Nnedi Okorafor Celebrates Everyday African Life in New Superhero Comic

okorafor comics

A little over two years ago, South African Sci-fi writer Lauren Beukes collaborated with D. C. Comics on a Wonder […]

Redemption | Andrew Aondosoo Labe | Poetry

7019805185_c41d073551_o

A Pastor says the devil landed here in ‘77. His broken legs can be seen in the twin-rivers. Three-eyed demons […]