Zimbabwe’s Bernard Matambo.

The Zimbabwean Bernard Matambo’s lyrical emigrant nonfiction, “Working the City,” published in Transition‘s issue 121 and named in Brittle Paper‘s list of the best pieces from 2016, has been selected for the Best American Essays 2017 anthology.

Best American Essays annually collects some of the best nonfiction and essays published in the US. This year’s anthology is guest-edited by Leslie Jamison, author of The New York Times-bestselling essay collection, The Empathy Exams.

“Working the City” was also awarded Transition‘s “Editor’s Choice” and nominated for a Pushcart Prize. And we are happy that a wider audience would get to see what got us so excited about it. Here is how we described it in our end-of-the-year list.

Matambo’s recollection of trying, with a friend, to leave Zimbabwe for America is “lyrical yet sobering” and sometimes humourous. From the generally tempered prose here occasionally emerges such gems as: “a clamor of voices piercing its way through the sunshine,” “Bald head bouncing…catching glints of the sun like an orb of polished metal,” “floating into the city like another leaf longing for a sail,” “the sun low and loud in my face,” “the sun full in my face,” “Another tree advertises a carpenter, the sign rusting like blood at the edges.” It is an often-cynical, mischievous gauge of the Let’s Run Away from Africa efforts and the difficulty of it. “The way people speak about getting a job over there,” he writes, “it’s like picking low-hanging fruit off a ripe tree.”

Bernard Matambo is an Assistant Professor of Creative Writing at Oberlin College, and an extremely popular one. In 2013, his students had to launch a petition to prolong his stay in the faculty. That same year, he received the Ohioana Library Association’s Walter Rumsey Marvin Grant.

Here is Transition‘s announcement.

Read “Working the City” HERE.

Congratulations to Bernard Matambo.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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