Tanure Ojaide.

The 2017 Nigeria Liquefied Natural Gas (NLNG) Prize for Literature has unveiled its shortlist, and it comprises three poetry collections: Tanure Ojaide’s Songs of Myself: Quartet, Ogaga Ifowodo’s A Good Mourning, and Ikeogu​​ Oke​’s The Heresiad.​​ The longlist had eleven poets.​

At $100,000, the NLNG Prize for Literature is the richest in Africa, and honours a published book of literature. It rotates among four genres: poetry, prose fiction, drama, children’s literature. The year 2017 is for poetry.

Published by Kraft Books Ltd., Tanure Ojaide’s Songs of Myself: Quartet “explores paradoxes in contemporary times expressed in discursive lyricism” and “reflects the journey to the deepest vicissitudes of the adventurer himself.” Winner of the Commonwealth Poetry Prize for Africa Region, the All-Africa Okigbo Prize for Poetry, the BBC Arts and African Poetry Award, and an Association of Nigerian Authors (ANA) Poetry Award, Ojaide is currently a Fellow at the University of Iowa.

Ogaga Ifowodo.

Published by Parresia Books, Ogaga Ifowodo’s A Good Mourning “focuses on the tragedy, ambiguity and contradictions of human experience recreated from poetic vision and language.” A lawyer, scholar and development activist, Ifowodo holds a doctorate in postcolonial literary and cultural studies from Cornell University, USA.

Ikeogu Oke.

Also published by Kraft Books Ltd., Ikeogu Oke’s The Heresiad “employs the epic form in questioning power and freedom” and “probes metaphorically the inner workings of societies and those who shape them.” A journalist, Oke is an alumnus of both the University of Ibadan and the University of Nigeria, Nsukka.

The 2017 judges are: Tade Ipadeola, winner of the 2013 prize, which was the last prize for poetry, for his collection, The Sahara Testaments; Razinat Mohammed, associate professor of literature at the Universty of Maidugri; and the chair, Ernest Enenyonu, professor of Africana Studies at the University of Michigan-Flint, USA.

The 2016 prize, for prose fiction, went to Abubakar Adam Ibrahim’s novel, Season of Crimson Blossoms. The 2017 winner will be announced in October.

Congratulations to Tanure Ojaide, Ogaga Ifowodo and Ikeogu Oke.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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