Back in January, we published We Are Flowers, the debut anthology of writing and visual art by the Nigerian LGBTQ literary collective, 14, which took its name from the 14-year jail term prescribed by the country’s anti-gay law. The project was met with astounding reception. An essay from the anthology was shortlisted for the Brittle Paper Anniversary Award. The editors of 14, who made a call for submissions for an August issue, now have new information concerning their plans.

Download: 14: An Anthology of Queer Art | Vol 1: We Are Flowers

14: Statement of Regret About Our August Issue

Back in March, we put out a call for submissions for an August issue around the theme, Sex, with the intention of exploring homoeroticism and the politics of the queer body through poetry, short fiction, creative nonfiction/memoir, tweets, and art work. Unfortunately, August is almost at an end and this issue has not appeared. This is because we received very little work for the issue, so we decided to cancel it in the meantime. We are grateful to the writers and artists who sent their work to us for the theme, and apologize for any inconveniences this change might have caused.

We are happy, however, to let you know that we received a good number of exciting works for our January 2018 issue. We are still accepting work for January (unthemed) and will be considering until November 15.

A quick reminder of the submission guidelines:

All submissions should be emailed to rainbowanniversarynigeria@gmail.com.

Poetry: We accept up to three poems from a single person. All poems by one person must be in one Word document, with each poem properly titled.

Fiction (flash or short story): Short stories must not exceed 3,000 words. Please note that we will be accepting very little fiction.

Creative non-fiction/memoir/essay etc: We want non-fiction pieces written in language that resembles that of fiction. We do not accept pieces that read like reportage or sermons. Non-fiction pieces can range from 1000 to 3,500 words, although we’ve published more, depending on the strength of the prose.

Art / Photography: An artist/photographer is free to send up to 3 art works or photographs. My Life in Tweets: For the January (Unthemed) anthology, tweet @naijaqueerart using #IAmQueer.

It’s always exciting to read work from community members and allies. We, the editors of 14, look forward to receiving your work.

We are sensitive to the climate in Nigeria and know that most of our artists would like to protect their privacy. As a result, we encourage artists to create pseudonyms under which to feature their works. Bios, also, can contain non-specific points. Since this is an anthology celebrating queer art and resilience in Nigeria, artists are free to include their sexual or gender orientation in their bio.

Tags: , ,

About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

No comments yet.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Archives

Lesley Nneka Arimah Picked for the US National Book Foundation’s “5 Under 35” List

Lesley Nneka Arimah has been picked for the US National Book Foundation’s “5 Under 35” list of 2017, on the […]

The Photographer as an Osprey | John “Lighthouse” Oyewale | Essay

On 30 June, we published Work Naija: The Book of Vocations, an anthology of writing and visual art that explores the […]

Zukiswa Wanner Calls Out Misogyny in South Africa, Kenya and Zimbabwe, Takes on Politicians and the Media

Zukiswa Wanner has called out misogyny in South Africa, Kenya and Zimbabwe, taking on politicians and the media in the […]

Dinaw Mengestu and Nadifa Mohamed Have New Work in Freeman’s Magazine

Nadifa Mohamed

Dinaw Mengestu and Nadifa Mohammed both have new fiction forthcoming in the new fourth issue of Freeman’s magazine. Titled “The Future […]

The Brittle Paper Literary Awards: New Date for the Announcement of Winners

The announcement of the winners of the inaugural Brittle Paper Literary Awards was scheduled for 23 September 2017. However, a change […]

The Reviews Are In! | Namwali Serpell Has High Praise for Jennifer Makumbi’s Kintu

Screen-Shot-2017-09-20-at-4.57.42-PM-e1505944728679 copy

Jennifer Makumbi’s Kintu is one of the hit novels of 2017. A historical drama, it tells the story of an 18th […]