buchi emecheta

Following the passing of Buchi Emecheta on January 26 at the age of 72, there has been an outburst of beautiful, heartfelt tributes to a woman considered to be an icon in her personal and professional lives. Nigerian novelist Sefi Atta wrote this solid one in KTravula. Read an excerpt below.

sefi-atta

Sefi Atta, author of Everything Good Will Come.

The first time I met Buchi Emecheta in person was in 2005, just after my debut novel Everything Good Will Come was published. I had contacted her through an old college mate, Kadija George, to ask for an endorsement, which she very kindly agreed to give. To paraphrase her endorsement, she wrote that reading my novel was like listening to an old friend talk about Lagos.

That was the same year she was awarded an OBE for her contribution to literature, and Kadija organised a celebratory dinner at a Caribbean restaurant in North London, to which I was invited. At the restaurant, she signed a copy of her book Head Above Water for me, with a message: “To Sefi, good luck with your publication, love from Auntie Buchi”. I read an excerpt from the book at today’s memorial event, not just because it’s autographed, but because it’s a testimony of what it means to be a writing mother, and because it’s good storytelling: entertaining and informative, guileless and revealing, intimate, and rendered in the meandering fashion of Igbo oral history, which, by the way, bears some resemblance to that of the American South, where I’m based most of the year.

Anyway, that evening at the restaurant, I found Buchi Emecheta pensive. I imagined she was aware of her achievements and was proud of them: all the novels, plays and children’s books she’d written, the family she had raised, and the obstacles she’d had to overcome. People often mention the burning of her first manuscript, but the daily grind of being a mother to young children, while getting a university degree and writing, was hard enough.

Read “Like Listening to an Aunt” in KTravula.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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