Subscribe to Newsletter
Monthly Newsletter: Join more than 3,000 African literature enthusiasts!
Subscribe for African literature news, and receive a free copy of our "Guide to African Novels."

91hOCsA1Q4L
It was published a couple of weeks ago, on March 8. The reviews are gushing in and— like Helen Oyeyemi’s five other books—What is Yours is Not Yours is raking up loads of stars from happy critics.

The New York Times calls it “transcendent.” NPR says it’s “flawless.” Not surprising though. What is Yours is Not Yours is a collection of delicately woven and very readable stories featuring female characters and set in European cities. We think it is a summer blockbuster in the making.

Aaron Bady, who teaches African literature at University of Texas, Austin, is one of the most recent reviewers to weigh in on Oyeyemi’s quirky collection of stories built around the metaphors of openings, closures, and keys.

The review was published in New Republic. Enjoy these juicy bits.

 

In struggling to describe her work—and it is a struggle—book reviewers often praise her mastery of craft. NPR declared her new novel What is Not Yours is Not Yours “flawless,” a “masterpiece,” and The New York Times describes her as a master author who “expertly melds the everyday, the fantastic and the eternal.” But I would praise her work in almost exactly the opposite terms. Oyeyemi’s fascination is with the flaws that make us human—and the dreams through which we approach our own brokenness—and so, her stories are twisted and imperfect. As another reviewer observed, they are “idiosyncratic in a way that is hard to imagine surviving a workshop setting.” Like dreams, her books are too odd to be good, too terrible to be loved, and too broken to be masterpieces.

The first story Oyeyemi wrote for the collection, “books and roses,” concerns a pair of keys, a pair of lovers, a thief and an orphan, and a garden of roses and library of books. It’s a romantic, novella-length fable, filled with color and suspense, and it resolves with a striking and satisfying neatness: one key opens the door to the library, the other to the adjoining garden, and the two main characters meet in the passageway between. But “books and roses” is the only story in the book like this, and its neat resolution is more apparent than real. The most uncanny thing about the story, in fact, is the bizarreness of its narrative resolution. After you finish it—after you feel the thrill of the story’s various plots and characters snapping neatly into place—the implausible strangeness of the coincidence hangs in the air like the smell of rotting flowers. Like Chekhov’s loaded gun—in which the playwright puts a gun on stage and it waits to be fired—Oyeyemi’s keys promise a narrative resolution: when they find their lock, we expect, the story will reach its conclusion. But as in life, they seldom do.

Click here to read more.

Tags: , , ,

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

No comments yet.

Leave a Reply

Welcome to Brittle Paper, your go-to site for African writing and literary culture. We bring you all the latest news and juicy updates on publications, authors, events, prizes, and lifestyle. Follow us on Twitter and Instagram (@brittlepaper) and sign up for our "I love African Literature" newsletter.

Monthly Newsletter!

Subscribe for African literature news, and receive a free copy of our
"Guide to African Novels."

Archives

Sarah Waiswa’s Twitter Thread on African Women Photographers Is a Visual Fest

sarah waiswa thread

Recently on Twitter, the Ugandan-born Kenya-based photographer Sarah Waiswa gave us a curation of stunning photos by African female photographers. […]

Genesis | Kharys Laue | Poetry

Mountain 1200 x 630

  I The beginning contains a seed of the end. II A man stands at the foot of the mountain. […]

GoFundMe | Donate to Help Egyptian Writer and Feminist Icon Nawal El Saadawi Undergo Medical Care

nawal el saadawi - moroccan ladies - graph

The Egyptian writer and feminist icon Nawal El Sadaawi is ill. To foot her medical bills, a GoFundMe appeal was […]

The Home Manual | Ayodeji Oluwaseyi Isaac | Fiction

Lagos 1200 x 630

  You will be coming to my house for the first time, pal, and the following are words to live […]

Every Poem Needs Time to Breathe and Become | Interview with Echezonachukwu Nduka

Echezonachukwu Nduka (6)

  Echezonachukwu Nduka is a Nigerian poet, classical pianist, and musicologist. His poems have appeared in several publications including Saraba, […]

Abiku | Olowogboyega Olumuyiwa | Fiction

Yoruba Statues 1200 x 630

  The tour guide had begun by saying, “Traditional African art is characterized by fear, that’s why most of our […]

Thanks for signing up!

Never miss out on new posts. Subscribe to a digest, too:

No thanks, I only want the monthly newsletter.