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buchi emecheta

Following the passing of Buchi Emecheta on January 26 at the age of 72, there has been an outburst of beautiful, heartfelt tributes to a woman considered to be an icon in her personal and professional lives. Nigerian novelist Sefi Atta wrote this solid one in KTravula. Read an excerpt below.

sefi-atta

Sefi Atta, author of Everything Good Will Come.

The first time I met Buchi Emecheta in person was in 2005, just after my debut novel Everything Good Will Come was published. I had contacted her through an old college mate, Kadija George, to ask for an endorsement, which she very kindly agreed to give. To paraphrase her endorsement, she wrote that reading my novel was like listening to an old friend talk about Lagos.

That was the same year she was awarded an OBE for her contribution to literature, and Kadija organised a celebratory dinner at a Caribbean restaurant in North London, to which I was invited. At the restaurant, she signed a copy of her book Head Above Water for me, with a message: “To Sefi, good luck with your publication, love from Auntie Buchi”. I read an excerpt from the book at today’s memorial event, not just because it’s autographed, but because it’s a testimony of what it means to be a writing mother, and because it’s good storytelling: entertaining and informative, guileless and revealing, intimate, and rendered in the meandering fashion of Igbo oral history, which, by the way, bears some resemblance to that of the American South, where I’m based most of the year.

Anyway, that evening at the restaurant, I found Buchi Emecheta pensive. I imagined she was aware of her achievements and was proud of them: all the novels, plays and children’s books she’d written, the family she had raised, and the obstacles she’d had to overcome. People often mention the burning of her first manuscript, but the daily grind of being a mother to young children, while getting a university degree and writing, was hard enough.

Read “Like Listening to an Aunt” in KTravula.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young was born in Aba, Nigeria and attended the University of Nigeria, Nsukka. A finalist for the 2016 Miles Morland Writing Scholarship, he is the author of the short stories: “A Tenderer Blessing,” which appears in Transition Magazine and was nominated for a Pushcart Prize in 2015; “Mulumba,” which appears in The Threepenny Review; and “You Sing of a Longing,” which was shortlisted for the inaugural Gerald Kraak Award and appears in Pride and Prejudice, an anthology by The Jacana Literary Foundation and The Other Foundation. His essays appear in Interdisciplinary Academic Essays and in Brittle Paper where he is Submissions Editor. His interviews appear in Africa in Dialogue, Bakwa Magazine, SPRINNG, and Dwartonline. He is the editor of the Art Naija Series, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, Enter Naija: The Book of Places (October 2016), focuses on Nigerian cities. The second, Work Naija: The Book of Vocations (June 2017), focuses on professions in Nigeria. A postgraduate student of African Studies, he currently teaches English at Godfrey Okoye University, Enugu, Nigeria. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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