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Panashe Chigumadzi’s These Bones Will Rise Again.

Sunday Times has announced the shortlists for the prestigious South African literary prizes: the Alan Paton Award, in its 30th year, and the Barry Ronge Fiction Prize, in its 19th year. Both awards had longlisted 25 books in April: here and here.

From the announcement:

THE ALAN PATON AWARD

Criteria:

The winner should demonstrate the illumination of truthfulness, especially those forms of it that are new, delicate, unfashionable and fly in the face of power; compassion; elegance of writing; and intellectual and moral integrity.

Judges:

  • Sylvia Vollenhoven (Chair)
  • Paddi Clay
  • Tinyiko Maluleke

Chair of the Judges Sylvia Vollenhoven:

A nation is like a large, extended family and our collective health is dependent on those among us who are the guardians of our precious moments. The Alan Paton 2019 shortlist is a collection of powerful moments recorded with rigour and beauty.

Three of the writers delve into intensely personal spaces. These range from the horror of the apartheid prisons to a search for the meaning of the great spiritual warrior Mbuya Nehanda, that takes us into a Zimbabwe outsiders hardly know. Then there is a moving family portrait, strikingly universal in its approach that ends with the heart-rending realisation that what has been lost cannot be regained.

All but one of the five books on the shortlist have been written by women including an innovative journalistic analysis of the cash-in-transit heists, a crime epidemic. The author focuses on the gist of the problem and also how it can be addressed.

The only male author on the list debunks the Rainbow Nation myth but says the question is how to shift the #MustFall movement out of the ivory towers and into spaces representative of the majority of black people.

This is powerful writing by these guardians of our historic moments and storytelling that lingers.

The Shortlist: 

Heist!: South Africa’s Cash In-transit Epidemic Uncovered, by Anneliese Burgess (Penguin Non-fiction)

Eminent investigative journalist Anneliese Burgess presents a meticulously researched analysis of this growing phenomenon. She lays bare the nexus between the criminal world and those who fight crime and demonstrates how it harms the economy. Importantly, she offers solutions, too.

These Bones Will Rise Again, by Panashe Chigumadzi (Jacana Media)

Panashe Chigumadzi spins history, mythology and personal experience into an evocative telling of the “coup that was not a coup”, when the people of Zimbabwe took to the streets in 2017 to force the exit of Robert Mugabe.

Breaking a Rainbow, Building a Nation: The Politics Behind #mustfall Movements, by Rekgotsofetse Chikane (Picador)

An energetic, first-hand account of the university protests that swept SA between 2015 and 2017, that became known as #FeesMustFall. As Reverend Frank Chikane’s son, the author is well qualified to expound the next generation’s view of the Rainbow Nation.

Everyone is Present: Essays on Photography,Family and Memory, by Terry Kurgan (Fourthwall Books)

A highly original and exquisitely produced work that at its heart is the story of Kurgan’s family and their epic journey across Europe fleeing Nazi occupation, but which extends to a thoughtful contemplation of photography and memory.

Imprisoned: The Experience of a Prisoner Under Apartheid, by Sylvia Neame (Jacana Media)

Sylvia Neame has waited many years to write this deeply felt and minutely observed account of her imprisonment under apartheid, and she brings new insight to the country at the time and the unfolding menace of the state.

Cynthia Jele’s The Ones with Purpose. Image from The Reading List.

THE BARRY RONGE FICTION PRIZE

Criteria:

The winner should be a novel of rare imagination and style, evocative, textured and a tale so compelling as to become an enduring landmark of contemporary fiction.

Judges:

  • Ken Barris (Chair)
  • Nancy Richards
  • Wamuwi Mbao

Chair of the Judges Ken Barris:

The five books shortlisted for the 2019 Barry Ronge Prize are not only extraordinarily good, they show diverse strengths. The Boy Who Could Keep a Swan in His Head by John Hunt brims over with quiet intelligence and comic timing. It manages to be deeply moving as well. Cynthia Nozizwe Jele’s The Ones with Purpose is a fine exploration of love, death and family life, a beautiful and sometimes harrowing tale.

Siphiwe Gloria Ndlovu’s debut, The Theory of Flight, is an ingeniously resolved magical realist piece, layered and marked by elegant ironies. Claire Robertson’s Under Glass is a virtuoso work, intelligently and immaculately observed, with the strengths of a genuine classic. And Mark Winkler’s Theo & Flora is a wickedly funny story in the present about a desperate love story in the past, containing much well-aimed mockery of writers as a species.

The Shortlist: 

The Boy Who Could Keep a Swan in His Head, by John Hunt (Umuzi)

An affectionate, philosophical story about a boy growing up in Hillbrow in the ’60s, a boy who is forced to grow up faster than others. John Hunt renders a boy’s inner life with rare insight and reminds us of the power of books when we need them the most.

The Ones with Purpose, by Cynthia Nozizwe Jele (Kwela Books)

Cynthia Jele reaches new heights in this moving novel of life and death. Anele Mabuza is mourning the death of her sister. What begins with a burial turns into a wise story of family and forgiveness.

The Theory of Flight, by Siphiwe Ndlovu (Penguin Fiction)

Set in an unnamed Southern African country, this startling debut is a richly imagined, allegorical tale of a young woman called Genie whose idyllic childhood is shattered when soldiers arrive in her village.

Under Glass, by Claire Robertson (Umuzi)

Claire Robertson’s subtle, complex style is brought to bear on the history of what used to be called Port Natal. The story centres on Mrs Chetwyn, the redoubtable wife of a sugar farmer, who goes to diabolical lengths to preserve her child’s inheritance.

Theo & Flora, by Mark Winkler (Umuzi)

When a “resting” novelist happens upon a cache of old letters he discovers a forbidden love affair in a family’s seemingly proper history. Naturally he sees the promise of a new book. Mark Winkler writes with wit but also compassion about long-lost love.

Brittle Paper congratulates the finalists.

 

 

Graph image from wix.com.

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Otosirieze is Deputy Editor of Brittle Paper. He is a judge for the 2018/19 Gerald Kraak Prize and the 2019 Miles Morland Writing Scholarships. He is an editor at 14, Nigeria’s first queer art collective, which has published volumes including We Are Flowers (2017) and The Inward Gaze (2018). He is the curator of the Art Naija Series, a sequence of e-anthologies of writing and visual art focusing on different aspects of Nigerianness, including Enter Naija: The Book of Places (2016), which explores cities, and Work Naija: The Book of Vocations (2017), which explores professions. His fiction has appeared in The Threepenny Review and Transition. He has completed a collection of short stories, You Sing of a Longing, is working on a novel, and is represented by David Godwin Associates literary agency. He combined English and History at the University of Nigeria, Nsukka, is completing a postgraduate degree in African Studies, and taught English at Godfrey Okoye University, Enugu. Find him at otosirieze.com, where he accepts writing and editing offers, or on Instagram or Twitter: @otosirieze. When bored, he Googles Rihanna.

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