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The ANA Prize-winning playwright Jude Idada, whose Oduduwa, King of the Edos was shortlisted for the 2014 NLNG Nigeria Prize for Literature, has accused Nollywood star actress Omoni Oboli of stealing his script for use in her new film, Okafor’s Law.

The accusation, which first surfaced in September of 2016, gained traction this year and led to a court injunction preventing Okafor’s Law from premiering. The court injunction has since been lifted and the film will premiere today, March 31.

okafor's law

Here is a September 2016 report from

In 2014, Idada was invited over by the Obolis, who told him about their new project “Okafor’s Law.” According to Idada, he ‘let his guard’ down, and shared ideas with Omoni’s husband, Nnamdi Oboli. They offered him the scripting contract, which he accepted, and after much deliberation charged 750,000 naira. He demanded for a contract. “If I’m going to do it, this time, I want a contract,” he said to them.

Idada accepted to write the script. “They didn’t give me a dime. I went ahead and wrote this thing. So while I was writing, I had to travel to Kamapala. I traveled to Kampala and lost all I had written. I reached out to them and told them, ‘this is the situation, but I will still write it.’

“So I rewrote the story. Meanwhile, I asked Omoni ‘where is the contract.’ Everyday there was a long story. They didn’t send me no contract, they didn’t send me no money.”

According to him, Fabian Lojede advised him to write a contract himself, and forward to the Obolis. “I wrote the contract, and I called Nnamdi over the phone. I said ‘Nnamdi, I have sent you the contract, let me know when you sign it. He said ok, ‘I will get back to you.’ No acknowledgment of this contract, these people just went blank.

After a month and a half with no response from them, he gave the script to a friend of his (Chioma), who loved the story. “In the contract I sent to them, I said to them, Okafor’s Law is yours, but the story is mine, the characters, the log line is mine, everything is mine. If at the end of the day, you don’t want to go ahead with the script, I will take everything and give you “Okafor’s Law,” because that’s all you have contributed.”


According to him, the Obolis found out about his deal with Chioma, and told people he stole their story.

“In 2016, they started shooting, and someone said to me ‘they are shooting Okafor’s Law.” Then somebody brought the script, and Chioma said to me ‘this is your script that they are telling.’ When I read the story, I saw that it was my story. All she did was change the names, but it was essentially my story,” Idada said.

When Okafor’s Law was selected to screen at the 2016 Toronto International Film Festival, Idada said he hesitated pushing the issue “considering how it would make Nollywood look to the world.”

Idada, who has also won the Africa Movie Academy Award (AMAA) best screenplay prize, further accuses Omoni of plagiarising his ideas for her debut film Being Mrs Elliot. Despite Okafor’s Law being allowed to be viewed publicly, the case remains in court and is scheduled for an April 3 or 4 hearing.


Post image from via Google.

Film poster from

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Otosirieze Nnaemekaram is a writer, an academic, and Deputy Editor of Brittle Paper. His fiction has appeared in The Threepenny Review ("Mulumba," 2016), Transition ("A Tenderer Blessing," 2015), and in an anthology of the Gerald Kraak Award for which he was shortlisted ("You Sing of a Longing," 2017). His work has further been shortlisted for the Miles Morland Writing Scholarship in 2016 and a Pushcart Prize in 2015. He attended the 2018 Miles Morland Foundation Creative Writing Workshop facilitated by Giles Foden. He is the curator of the ART NAIJA SERIES, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, ENTER NAIJA: THE BOOK OF PLACES (October, 2016), focuses on cities in Nigeria. The second, WORK NAIJA: THE BOOK OF VOCATIONS (June, 2017), focuses on professions in Nigeria. He studied History and Literature at the University of Nigeria, Nsukka, is currently completing a postgraduate programme in African Studies and Pop Culture, and teaches English at Godfrey Okoye University, Enugu. He has completed a collection of short stories and is working on a 600-page novel. When bored, he just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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