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Copies of the first print issue of Saraba magazine. Photo credit: Ake Festival Media Team.

Saraba magazine is currently open to submissions to its issues 22: “Open,” 23: “Fake Truths,” and 24: “Viral.” The deadline for submissions is 31 December 2017. The magazine will be paying ₦10,000 (around $30) for accepted work.

For the 2018 issues of Saraba magazine, we ask prospective contributors to interpret the themes in singular, yet compelling ways. Submit unpublished writing that addresses any of our themes, indicating in your cover letter which issue(s) you would like to be considered for. The first two issues will be published online and in electronic format (PDF/ePub), and the third issue in print.

Please send us short fiction, narrative essays, literary journalism, poetry, illustrations, and photographs. No interviews except solicited.

Founded in 2009 by the Nigerians Emmanuel Iduma, author of the novel The Sound of Things to Come, and Dami Ajayi, author of the poetry collection A Woman’s Body Is a Country, the magazine recently launched its first print issue, “Transitions.”

Here is information on each issue.

Issue 22 – Open

We invite writers and artists to think beyond genre, and outside any one theme. What kind of writing and images would you send to us if we asked you to make work in the spirit of openness? Stripped of pretensions, how do you access your own vulnerability, yet share yourself in a way that isn’t maudlin?

We insist on open conversations about identity, humanity, gender, sexuality and religion. We are even open to reflections on uncertainty. An ability to acknowledge that the differing opinion of others do not threaten yours.

Issue 23 – Fake Truths

Is a well-told lie better than a thousand facts?

At no point in human civilization has the amount of information available exceeded the capacity to interrogate it in full. What has always seemed true is the inclination of many to tell compelling stories—homespun tales requiring no proof, sermons that derive their authority from uncanny events, and literature pulling the reader into a world where magic is in direct conversation with realism.

But there is work that is factual, and the ethical foundation on which journalism is built must not be shaken of its value. How do writers and artists, from Angola to Zimbabwe, take journalism as a starting point, building on stories reported in the news? How much conceit and imagination is required to do that? What is their responsibility to truth? Whose truth is it?

Issue 24 – Viral

For our second print issue, we take “virality” as a departure point, speculating on a word with a range of meanings—viral, virus, virulent—and a range of concerns—technology, public health, morality. Consider ideas and narratives around quantity, multiplicity, population control, big data, meme-culture, etc.

Are people numbers?

Read Saraba‘s submission guidelines HERE.

Submit via Submittable HERE.

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Otosirieze Nnaemekaram is a writer, an academic, and Deputy Editor of Brittle Paper. His fiction has appeared in The Threepenny Review ("Mulumba," 2016), Transition ("A Tenderer Blessing," 2015), and in an anthology of the Gerald Kraak Award for which he was shortlisted ("You Sing of a Longing," 2017). His work has further been shortlisted for the Miles Morland Writing Scholarship in 2016 and a Pushcart Prize in 2015. He attended the 2018 Miles Morland Foundation Creative Writing Workshop facilitated by Giles Foden. He is the curator of the ART NAIJA SERIES, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, ENTER NAIJA: THE BOOK OF PLACES (October, 2016), focuses on cities in Nigeria. The second, WORK NAIJA: THE BOOK OF VOCATIONS (June, 2017), focuses on professions in Nigeria. He studied History and Literature at the University of Nigeria, Nsukka, is currently completing a postgraduate programme in African Studies and Pop Culture, and teaches English at Godfrey Okoye University, Enugu. He has completed a collection of short stories and is working on a 600-page novel. When bored, he just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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