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From left to right: Mary Ononokpono, Osemegbe Aito, and Tina Chiwashira. Image from Black Letter Media.

The 2017 The Short Story Is Dead, Long Live the Short Story! Prize has been awarded to Nigeria’s Mary Ononokpono—winner of the Golden Baobab Prize and two-time finalist for the Miles Morland Scholarship. Nigeria’s Osemegbe Aito and Zimbabwe’s Tina Chiwashira placed second and third respectively.

The Short Story Is Dead, Long Live the Short Story! Prize is organised by Black Letter Media, a full service print and digital publishing and bookselling company with “focus on publishing new storytellers who have a unique, powerful and alternative vision of Africa.” The winning short story will receive R5 000, while the first and second runner-up stories will receive R1 500 and R500 respectively. The longlisted stories appear in The Short Story is Dead, Long Live the Short Story (Vol. 3), an anthology to be launched early 2018. The shortlist had six writers:

  • “Rudo” by Eliza Mabungu (Mozambique/South Africa)
  • The Scent of Living Wills” by Michel Tumuhimbise (Uganda)
  • “Tanganyika ABCs” by Tina Chiwashira (Zimbabwe)
  • “Petrichor” by Osemegbe Aito (Nigeria)
  • “Firewater” by Mary Ononokpono (Nigeria)
  • Eye Color” by Mwikali Mutune (Kenya)

Here are the comments of the judges on the new anthology.

For the third volume of our annual anthology, we selected sixteen short stories from writers who claim some part of Africa as home. In many ways, these stories reaffirm African literature as still that which blatantly concerns itself with topics relating to the continent and its position in the world, even when the spotlight is only cast on a West African community that is not in the least bit self-contained (Firewater) or a single act of mundane logic is fleshed out into a bigger narrative of gender conflict (Tanganyika ABCs) or just the mere promise of catharsis launches a subversive take on an old theme (Petrichor).

The three finalists, said the judges, “each give something different. These stories are about a journey, about making hard decisions, and about growing through the pain of it all. These three stories stand out because of the choices that the authors made with structure, world of story and imagery.” On the winner, Mary Ononokpono’s “Firewater,” they said:

With the opening line – “I was born beneath the ocean waves, or so that’s what they tell me” –  Mary Ononokpono’s ‘Firewater’ draws us into a world where the line between real and ethereal is immaterial. And in this enchanting old world, there are many lines blurring in this world as the community tries to protect itself from the outside world not realising that change can sneak in even when you try to keep it out. The author succeeds in painting a world so wondrous that we get lost in it following this girl who has no name, is drawn to the waters and will be outside of the fold.

On the first runner-up, Osemegbe Aito’s “Petrichor”:

Osemegbe Aito takes us to a world where the advancement of technology may or may not be a fallacy. In ‘Petrichor’ we wonder whether the choice our main character has made is the right choice. We wait with her at the pearly gates and hope that what she wants really is on the other side. Through her anticipation, and the build up, we wonder if we would choose between life and death voluntarily. This story has a clean, calmness to it, which belies the fear inside.

On the second runner-up, Tina Chiwashira’s “Tanganyika ABCs”:

With ‘Tanganyika ABCs’, Tina Chiwashira weaves in and out of the past as she connects the narrator’s own failing relationship with that of her mother and father in the past. She connects the past to the present, herself to her mother, and, in the end, the narrator has a tough decision to make. The success of this story is in the effect that the going back and forth between time leaves us with. We feel the dis-ease of the narrator and wait for release. 

Congratulations to Mary Ononokpono and Tina Chiwashira, and special congratulations to Osemegbe Aito whose fiction we have published. Read their interviews on the prize’s blog. The anthology can be pre-ordered here.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young

Otosirieze Obi-Young is a writer, academic, and Deputy Editor of Brittle Paper. His fiction has appeared in The Threepenny Review (“Mulumba,” 2016), Transition (“A Tenderer Blessing,” 2015), and in an anthology of the Gerald Kraak Award (“You Sing of a Longing,” 2017), for which he was shortlisted. His work has further been shortlisted for the Miles Morland Writing Scholarship in 2016 and a Pushcart Prize in 2015. His conversations appear in Africa in Dialogue, Bakwa, SPRINNG, and Dwartonline. He is the curator of the Art Naija Series, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, Enter Naija: The Book of Places (October 2016), focuses on Nigerian cities. The second, Work Naija: The Book of Vocations (June 2017), focuses on professions in Nigeria. Born in Aba, he combined history and literature at the University of Nigeria, Nsukka, is currently completing a postgraduate programme in African Studies, and teaches English at Godfrey Okoye University, Enugu. When bored, he just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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