A magnificent follow-up to Margaret Busby’s original landmark anthology, Daughters of Africa, this new companion volume brings together fresh and vibrant voices that have emerged in the last 25 years.ADVERTISEMENT - CONTINUE READING BELOW
Arranged chronologically, it brings together the work of women from across the globe—Antigua to Zimbabwe, Angola to the USA—to show the remarkable range of the African diaspora. It celebrates a unifying heritage and illustrates an uplifting sense of sisterhood and the strong links that endure from generation to generation as well as the common obstacles that female writers of colour continue to face as they negotiate issues of race, gender and class.
A glorious portrayal of the richness, magnitude and range of the singular and combined accomplishments of these women, New Daughters of Africa also testifies to a wealth of genres: autobiography, memoirs, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches.
It showcases key figures and popular contemporaries, as well as overlooked historical authors and today’s new and emerging writers.
A unique and seminal anthology, New Daughters of Africa represents the global sweep, diversity and extraordinary literary achievements of Black women writers whose voices, despite on going discussions, remain under-represented and underrated.
Hailed as the “Doyenne of Black British Publishing” by Blackhistorymonth.org.uk, Margaret Busby, a member of the Order of the British Empire (OBE), was born in 1944 in Accra, in then Gold Coast, “to parents with roots in Barbados, Trinidad and Dominica.” Her decision to co-found the publishing press Allison & Busby, with Clive Allison, in 1967, made her Britain’s youngest and first Black woman book publisher.
In 20 years as Allison & Busby’s editorial director, she oversaw the publication of such significant books as Buchi Emecheta’s Second-Class Citizen, George Lamming’s The Pleasures of Exile, Sam Greenlee’s The Spook Who Sat by the Door, and C.L.R. James’ The Black Jacobins. Her press further brought to public attention the work of such names as Rosa Guy, Miyamoto Musashi, Val Wilmer, Michele Roberts, and Andrew Salkey.
Busby has since served as a judge for the Wole Soyinka Prize, the Commonwealth Book Prize, the OCM Bocas Prize for Caribbean Literature, the Caine Prize for African Writing, and the Independent Foreign Fiction Prize. She is, at the moment, the Prize Ambassador of the SI Leeds Literary Prize and a patron of the Etisalat Prize for Literature.
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