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Margaret Busby, editor of New Daughters of Africa (2019) and Daughters of Africa (1992).

The Ghanaian-born editor Margaret Busby, Britain’s first Black female book publisher and at the time its youngest, has been honoured with the inaugural Africa Writes Lifetime Achievement Award. The recognition came on 6 July, during the just concluded 2019 Africa Writes Festival in London, where she presented and discussed the anthology New Daughters of Africa: An International Anthology of 20th- and 21st-Century Writing by Women of African Descent (HarperCollins, 2019), the sequel to the groundbreaking Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present (Ballantine Books, 1992). New Daughters of Africa, which “charts a contemporary literary canon from 1900 and captures their [female writers of African descent’s] continuing literary contribution as never before,” features 200 contributors including Aminatta Forna, Bernadine Evaristo, Sarah Ladipo Manyika, Chimamanda Ngozi Adichie, Imbolo Mbue, Warsan Shire, Zadie SmithSefi Atta, Sisonke Msimang, Ayesha Harruna Attah, Diana Evans, Andrea Levy, Yewande Omotoso, Nawal El Saadawi, and Panashe Chigumadzi.

Hailed as the “Doyenne of Black British Publishing” by Blackhistorymonth.org.uk, Busby, a member of the Order of the British Empire (OBE), was born in 1944, in Accra, “to parents with roots in Barbados, Trinidad and Dominican Republic.” Her decision to co-found the publishing press Allison & Busby, with Clive Allison, in 1967, made her Britain’s youngest and first Black woman book publisher. In her 20 years as Allison & Busby’s editorial director, she oversaw the publication of such significant books as Buchi Emecheta’s Second-Class Citizen, George Lamming’s The Pleasures of Exile, Sam Greenlee’s The Spook Who Sat by the Door, and C.L.R. James’ The Black Jacobins. Her press further brought to public attention the work of such names as Rosa Guy, Miyamoto Musashi, Val Wilmer, Michele Roberts, and Andrew Salkey.

Busby, who recently wrote about the impact of the Daughters of Africa series, has since served as a judge for the Wole Soyinka Prize, the Commonwealth Book Prize, the OCM Bocas Prize for Caribbean Literature, the Caine Prize, and the Independent Foreign Fiction Prize. She is the Prize Ambassador of the SI Leeds Literary Prize and a patron of the Etisalat Prize for Literature.

This award is a much-needed one.

Brittle Paper congratulates Margaret Busby.

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Otosirieze is deputy editor of Brittle Paper. He is a judge for the 2018/19 Gerald Kraak Prize and the 2019 Miles Morland Writing Scholarships. He is an editor at 14, Nigeria’s first queer art collective, which has published volumes including We Are Flowers (2017) and The Inward Gaze (2018). He is the curator of the Art Naija Series, a sequence of e-anthologies of writing and visual art focusing on different aspects of Nigerianness, including Enter Naija: The Book of Places (2016), which explores cities, and Work Naija: The Book of Vocations (2017), which explores professions. His fiction has appeared in The Threepenny Review and Transition. He has completed a collection of short stories, You Sing of a Longing, is working on a novel, and is represented by David Godwin Associates literary agency. He combined English and History at the University of Nigeria, Nsukka, is completing a postgraduate degree in African Studies, and taught English at Godfrey Okoye University, Enugu. Find him at otosirieze.com, where he accepts writing and editing offers, or on Instagram or Twitter: @otosirieze. When bored, he Googles Rihanna.

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