Subscribe to Newsletter
Monthly Newsletter: Join more than 3,000 African literature enthusiasts!
Subscribe for African literature news, and receive a free copy of our "Guide to African Novels."

screen-shot-2016-09-26-at-10-00-43-am

The story about how “a white filmmaker” stole Akwaeke Emezi’s work is still unfolding, but here are the details so far, including some of questions the incident is raising about plagiarism.

A couple of days ago, Nigerian writer and filmmaker Akwaeke Emezi wrote on Instagram “in which @marionalloreta, a white filmmaker, stole my work.” 

The work in question is Emezi’s 2014 film titled Ududeagu.  It’s a hauntingly beautiful adaptation of the Igbo folkloric figure of the spider. One of the iconic images in the film has a man lying on a bed draped in white sheet. His face is entirely masked in a shock of dreadlocks. In 2016, Barcelona-born artist Mariona Lloreta releases a film titled Amenze. In terms of theme and content, Lloreta’s story is different except for one scene in the trailer which uncannily mirrors the dreadlock scene from Emezi’s movie.  A woman is lying down on blue cloth with her face partially covered in dreadlocks.

We’ve posted both videos for you to watch and compare.

UDUDEAGU from Akwaeke Emezi on Vimeo.

Amenze, In Between Worlds (film trailer) from Mariona Lloreta on Vimeo.

 

Lloreta did not credit Emezi’s work in any way. She did not site Emezi’s film as a source of inspiration. Reports shows that she has been presenting the film at festivals and using that image of the woman with the dreadlocked face as the main publicity image for the film.

Emezi has been very strategic about her response. Instead of simply lashing out, she went on full Beyhive mode and launched a campaign against Lloreta, calling on her own pretty extensive network of friends, fans, and colleagues to publicize the alleged theft and also to put pressure on film festivals to pull Lloreta’s work from their programs. For her, the point is not to decipher whether her work was stolen on not—she insists that it was—but to mobilize relevant communities and institutions against what she sees as a clear and unjust case of appropriation.

“Please share + boost this widely,” she writes on Instagram (@azemezi), “the image will be available on all my other social media. This is something I am bringing to the attention of the community.”  

@marionalloreta‘s twitter handle has since been bombarded by accusations and insults. But the incident has also triggered a rich conversation around where to draw the line between drawing inspiration from someone’s work and outright theft.

screen-shot-2016-09-27-at-11-49-08-pm

screen-shot-2016-09-27-at-11-52-33-pm

screen-shot-2016-09-26-at-10-47-35-am

In contrast, African Voices, an organization that runs one of the festivals where Lloreta’s work has been screened, sees it merely as a case of shared “artistic styles?”screen-shot-2016-09-27-at-6-28-20-pm

The suggestion here is that Lloreta’s use of the image was a case of chance resemblance. Emezi and Llorete miraculously made similar aesthetic choices. Or, at worse, it was a case of drawing inspiration from Emezi’s work without making the requisite attribution. In other words,t they are suggesting that Lloreta didn’t steal anything outright. Her work just happens to look like Emezi’s.

Not quite.

First of all, as noted above, the aesthetic elements of both images are just too similar to dismiss as mere chance resemblance. There is also the fact that the design of Lloreta’s poster, including the font and text arrangement, is so similar to Emezi’s.

untitled-design-63

Emezi’s point that there is no way Lloreta wasn’t aware of her work is also valid.

screen-shot-2016-09-27-at-11-57-20-pm

The fact that Lloreta situates her work within the black intellectual community means that she most likely knew about the work, which would make it strange that she did not credit Emezi or go through the requisite copyrights procedure.

What are your thoughts? Is this a ripoff or what?

For more on the unfolding conversations around the incident, read the storified tweets here.

 

Tags: , , ,

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

3 Responses to “Theft or Chance Resemblance? | Akwaeke Emezi Accuses “White Filmmaker” of Stealing Her Work” Subscribe

  1. Tee 2016/09/28 at 03:14 #

    Those are not the original font and text arrangement of both posters. Akwaeke put those for context when sharing the images.

  2. Farida 2016/10/05 at 15:20 #

    Sincerely, I don’t understand all of this. Did she really steal this? What is plagiarism? The covers look alike but they are definitely not the same or am I missing something?

  3. Ritu 2016/10/06 at 16:09 #

    Hmm! Interesting read, but I fail to see the theft/ plagiarism here as claimed by emezi as both posters more so emezi’s bares resemblance to MwangiHutter-neger don’t call me (2000) work.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Monthly Newsletter!

Subscribe for African literature news, and receive a free copy of our
"Guide to African Novels."

Archives

The Fall of the Gods | Chapter 6: Ise | by Anthony Azekwoh | #TFOG

anthony-Azekwoh-fall-of-the-gods-1-e1502690904876

Ebe onye dara ka chi ya kwaturu ya. Where one falls is where his god pushed him down. *** Emeka […]

Our Favorite Sci-Fi Filmmaker Wanuri Kahiu Publishes a Children’s Book

wanuri kahiu wooden camel 2

For those of you who are desperately and constantly in search of African children’s books, Wanuri Kahiu’s recent collaboration with […]

Akwaeke Emezi and Uzodinma Had a Moment

Screen Shot 2017-10-06 at 5.14.25 PM

Akwaeke Emezi is, in more ways than one, the writer we all want to be. Her debut novel is still […]

An Ode to Depression | Victor Enite Abu

14395331431_1727aab52d_o

Some mornings, getting out of bed feels like carrying ten bags of cement. Other mornings, you float through space, watching […]

The Brittle Paper Award for Essays/Think Pieces: Meet the Nominees

billy kahora

To mark our seventh anniversary on August 1, 2017, we announced the inaugural Brittle Paper Literary Awards, to recognize the finest, original pieces of […]

Burundi’s Pacifique Irankunda Awarded a $40,000 Whiting Creative Nonfiction Grant | Read an Excerpt from the Manuscript

Pacifique Irankunda

Burundian writer Pacifique Irankunda has been awarded a $40,000 Whiting Creative Nonfiction Grant. The grant is for the completion of […]

Thanks for signing up!

Never miss out on new posts. Subscribe to a digest, too:

No thanks, I only want the monthly newsletter.