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Taiye Selasi.

Taiye Selasi has argued against suggestions that South Africa’s cultural atmosphere “isn’t African enough.” She discussed it while speaking with Huffington Post during her visit to the country for the Nirox Words Festival. She counters the idea of Africanness as a phenomenon to be explained away in a monolithic manner.

“What is Africa supposed to feel like?” she asks. “I can be in Accra and drive 45 minutes away and already experience something completely different, so I wouldn’t know what that ‘Africa’ was—that monolithic, one-note, single-story Africa that South Africa is supposedly meant to be more like. In order to say that South Africa doesn’t feel like Africa, you would have to first believe in a huge fallacy, which is that Africa is one thing.”

“You see, I flew into Johannesburg, but I know that this is different to Durban, which is different again from Cape Town, which is why I think the idea of ‘locality’ is so important. To be a local of Cape Town is not the same as to be a local in Jozi. To be a local in Lagos is not the same as to be a local of Accra. So, I think if we can honour those nuances, and celebrate those complexities, then we are so much closer to genuinely celebrating what makes this place unique.”

The Ghana Must Go author, who was among Granta’s “Best of Young British Writers” in 2013, often describes herself in terms of localities rather than origin, with her 2015 TED Talk, “Don’t Ask Where I’m from, Ask Where I’m a Local,” rebelling against conventional tags of culture and supposed identity choices. The talk has been viewed more than 1.5 million times.

Find out more HERE.

 

 

About the Reporter:

Kanyinsola Olorunnisola is a poet, essayist and fiction writer and founder of SPRINNG literary movement. He writes from Ibadan, Nigeria. His writings border on the themes of unease, racism, colonialism, terror and all things familiar to the black folk. He describes his art as that specialized literary alchemy which aims to extract beauty from the frail commonplaceness of words. His experimental works have appeared on such platforms as  TUCK Magazine, Brittle PaperKalahari ReviewBombay ReviewLunaris ReviewAfrican WriterSprinng.orgAuthorpedia,  Parousia Magazine and Sampad International Journal. He was the 2016 recipient of the Albert Jungers Poetry Prize.

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OTOSIRIEZE is a writer, literary journalist, former academic, and Deputy Editor of Brittle Paper. A judge for the 2019 Gerald Kraak Award, he is an editor at 14, Nigeria’s first queer art collective which has published two volumes: WE ARE FLOWERS and THE INWARD GAZE. He is the curator of ART NAIJA SERIES, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness: ENTER NAIJA: THE BOOK OF PLACES (October, 2016) focuses on cities in Nigeria; WORK NAIJA: THE BOOK OF VOCATIONS (June, 2017) focuses on professions in Nigeria. His fiction has appeared in The Threepenny Review and Transition, and has been shortlisted for the Miles Morland Writing Scholarship and the Gerald Kraak Award, both in 2016, and a Pushcart Prize in 2015. He attended the 2018 Miles Morland Foundation Creative Writing Workshop. He has completed a collection of short stories, YOU SING OF A LONGING, and is working on a novel. He is represented by David Godwin Associates literary agency. He combined history and literature at the University of Nigeria, Nsukka and taught English at Godfrey Okoye University, Enugu. When bored, the boy just Googles Rihanna. Find him at otosirieze.com, where he accepts editing and writing offers, or on Instagram or Twitter: @otosirieze.

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