Leila Chatti was shortlisted for the 2017 Brunel Prize.

Weeks ago, we announced that Africa in Dialogue had published an e-book of interviews with the ten poets shortlisted for the 2017 Brunel Poetry Prize. The interviews were conducted by the Website’s editor Gaamangwe Joy Mogami and were published in collaboration with Praxis Magazine. We are republishing a few of them.

*

Leila Chatti is a Tunisian-American poet. She is the recipient of scholarships from the Tin House Writers’ Workshop and Dickinson House and prizes from Ploughshares’ Emerging Writer’s Contest, Narrative Magazine’s 30 Below Contest, the 8th Annual Poetry Contest, and the Academy of American Poets. Her poems appear in Best New Poets, Ploughshares, Tin House, Narrative, The Georgia Review, The Missouri Review, West Branch, The Rumpus, and elsewhere. She lives in Provincetown, Massachusetts, where she is a Writing Fellow at the Fine Arts Work Center. Her poetry chapbook, Tunsiya Amrikiya, is forthcoming from Bull City Press. 

This conversation took place via email between Gaamangwe Mogami in the cold, sweetspot of Gaborone, Botswana and Leila Chatti in the tiny, tourist beach town of Pronvincetown, USA.

Gaamangwe

Leila, congratulations on being shortlisted for Brunel International African Poetry Prize. What does it mean to you to be shortlisted?

Leila Chatti

Thank you so much! It’s been a dream to be included on this list. I’ve made a point to always begin my bio with the fact I am both Tunisian and American, because it is very important to me to be recognized as both. I don’t want any part of my identity erased for simplification’s sake. Though I live most of the year in the United States, I also consider Tunisia my home, and it is important to me that I am seen as an African poet as well as an American one. I see this shortlist as a nod to my place in African poetry, and that means a lot to me.

Gaamangwe

How does belonging to two countries influence your sense of identity, and the poetry you write?

Leila Chatti

Having two homes has meant I’ve always felt like a bit of an outsider—I’m too Tunisian to be a real American, and too American to be a real Tunisian. I think, of course, there are many ways to be both Tunisian and American, but it does complicate things to belong to more than one culture and place! In my work, I’ve noticed an obsession with longing and distance, which makes a lot of sense to me now that I’m aware of it—if ever I am in one place, I miss the other. I live in a perpetual state of longing. There’s a sense of loss in my work, as well as excess; I have two languages, two cultures, two parent faiths, and they all get jumbled up.

Gaamangwe

I can’t imagine what it’s like to be in that kind of perpetual state of longing. Because I wonder if it can ever be filled? Do you think the two will eventually be whole; not loss, not excess?  What are the things that make you too Tunisian for American, and too American for Tunisia? 

Leila Chatti

I think it is filled with the excess of joy I have; while it’s difficult to always be away from at least one half of my family at all times, I am lucky to have all that love to begin with. I don’t think the two will ever be able to merge—there’s the simple fact of geography, all that ocean between them—but I am happy enough, and wouldn’t trade it. I think, overall, it’s made for a full and interesting life.

As for what makes me feel like an outsider, there are lots of little things, and some big. Perhaps the biggest thing in Tunisia is language; while I understand Arabic fluently, I am shy about speaking, and as someone whose whole livelihood comes from words this is particularly challenging for me. I’m unable to express myself at the level I hold myself to in English. In the United States, my outsider status comes down to race and religion. I grew up in post-9/11 America, and so never felt fully embraced as American because I was Arab and Muslim. Those tensions are heightened now, with the recent presidential election and conversations about travel bans and registries.

Gaamangwe

I can’t imagine what that is like. To navigate the America of post 9/11 and post Trump as an Arab, Muslim and a woman must be very difficult. What do you want to illuminate about existing in the space you exists in, as these three forms of identity? 

Leila Chatti

It’s a very strange time. In the months following the election, I sunk into a period of real mourning; I felt lost, adrift. I couldn’t focus. I was here in Provincetown, and had been working feverishly on my first book manuscript until that point, but the election derailed me for a good while. I hadn’t anticipated him winning, and so was thrown into a panic when he did. It took some time for me to process—I read only Arab poetry for the month following and struggled to write anything myself—and I was frustrated that I was unable to make progress on my manuscript. I realize now that I was growing and learning during that time (any time reading is time well spent), but also that self-care is part of progress, a necessary part. And during those bleak winter months, I felt so angry and trapped and erased that I felt I had to do something; I ended up putting together another manuscript, Tunsiya Amrikiya, a chapbook about being Tunisian and American and growing up Muslim and female in both contexts, and I found out recently it will be published by Bull City Press! So something good did come out of that time, as hopeless as it seemed to me.

Gaamangwe

I think a lot about this attempt to erase other people. I am always wondering where this much anger and hate towards other people stem from. Why the world keeps on insisting on “erasing” whole people, and countries, and cultures. And how also, someone can actually have that much power to be able to affect the lives of million people, and have the whole world watch by. How did we create such a world? So it’s wonderful that you will be published by Bull City Press. What meanings came up in Tunsiya Amrikiya?

Leila Chatti

I think that the answer to that is very long and very complicated and I don’t believe I have it. I do think there is a lot of hate and rage in the world, so much of it I have to regulate the amount of time I spend on the Internet for my own emotional well-being. It’s disheartening, to say the least. I do try to wrestle with it often, both personally and in my work, and a fair number of poems from Tunsiya Amrikiya deal with violence and bigotry. But the manuscript is also celebratory; I wanted it to be a cry, of joy and pain, resisting erasure. I refuse to be silenced.

Gaamangwe

That’s true, we must keep resisting erasure. Find and create our own acts of defiance. Speak for ourselves and for those who can’t speak for themselves. But also, balance the dark with light, so yes to joy and celebration. The speakers in your poetry explore love; what are they discovering about it, and what does love mean to them?

Leila Chatti

I won’t be shy—the speaker is almost always myself, so I’ll speak to what love means to me. I believe, of course, that the world would benefit from more love. Though I write often about desire, I’m interested, too, in love outside of a romantic or sexual context, love that exists in small, brief ways and love that endures or resists definition. I once thought that love was responsible for a great deal of suffering (love of one’s country or God or race used as justification for violence, love of the self with disregard for all others), but I recognize those things weren’t rooted in love at all and are instead distortions, powerful feelings mistaken for love. Love is a gift. I’ll pursue it always.

Gaamangwe

Wonderful Leila! I totally agree. Thank you, and all the best of luck with Brunel International African Poetry Prize and your poetry.

*

Download the e-book of interviews HERE.

 

**************

About the Interviewer:

Gaamangwe Joy Mogami is a poet, playwright and screenwriter from Botswana. Her poetry has been published in Kalahari Review, African Writer, Afridiaspora, Poetry Potion, and Brittle Paper. She is the founder and managing editor of an interview magazine, Africa in Dialogue.

Tags: , , , , , , ,

About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young’s writing has been shortlisted for the 2016 Miles Morland Writing Scholarship, the 2017 Gerald Kraak Award, and nominated for a 2015 Pushcart Prize. His fiction has appeared in Transition (“A Tenderer Blessing,” 2015), The Threepenny Review (“Mulumba,” 2016), and Pride and Prejudice: African Perspectives on Gender, Social Justice and Sexuality (“You Sing of a Longing,” 2017), an anthology of The Jacana Literary Foundation and The Other Foundation. His work further appears in Interdisciplinary Academic Essays, Africa in Dialogue, and Brittle Paper, where he is submissions editor. He is the editor of the Art Naija Series: a sequence of concept-based e-anthologies of writing and visual art focusing on different aspects of Nigerianness. The first anthology, Enter Naija: The Book of Places (Oct., 2016) focuses on cities. The second, Work Naija: The Book of Vocations (June, 2017) focuses on professions. He attended the University of Nigeria, Nsukka and currently teaches English at another Nigerian university. When bored, he blogs pop culture at naijakulture.blogspot.com or just Googles Rihanna.

No comments yet.

Leave a Reply

I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Archives

Zukiswa Wanner Calls Out Misogyny in South Africa, Kenya and Zimbabwe, Takes on Politicians and the Media

Zukiswa Wanner has called out misogyny in South Africa, Kenya and Zimbabwe, taking on politicians and the media in the […]

Dinaw Mengestu and Nadifa Mohamed Have New Work in Freeman’s Magazine

Nadifa Mohamed

Dinaw Mengestu and Nadifa Mohammed both have new fiction forthcoming in the new fourth issue of Freeman’s magazine. Titled “The Future […]

The Brittle Paper Literary Awards: New Date for the Announcement of Winners

The announcement of the winners of the inaugural Brittle Paper Literary Awards was scheduled for 23 September 2017. However, a change […]

The Reviews Are In! | Namwali Serpell Has High Praise for Jennifer Makumbi’s Kintu

Screen-Shot-2017-09-20-at-4.57.42-PM-e1505944728679 copy

Jennifer Makumbi’s Kintu is one of the hit novels of 2017. A historical drama, it tells the story of an 18th […]

New Website Collects Everything Binyavanga Wainaina Has Written Since the Late 1990s

A new Website has collected everything published by Binyavanga Wainaina since his writing career began in the late 1990s. The […]

Opportunity for All Writers | Submit to Vanguard Literary Services’ HIV/AIDS Awareness Anthology

To mark the 2017 World HIV/AIDS Day on December 1, Vanguard Literary Services, a bookselling company in Nigeria, has called […]