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The announcement of the inaugural Nommo Awards shortlists, an initiative of the African Speculative Fiction Society (ASFS) to honour works of speculative fiction, was received with excitement. It shed light on an often overlooked genre that is now on its way to irreducible relevance.

But here is something even more revelatory: Wole Talabi, a member of the ASFS, has compiled a list of 654 works—short stories, story series, novellas, novels—of speculative fiction. Listed under the “Resources” section of the ASFS Website, this list is as exhaustive as anything. While most writing on it was published in the 2010s and 2000s, there are works from the ’90s, ’80s, ’60s, and ’50s.

Wole Talabi has compiled a list of African speculative fiction writing.

From the novels and short stories of Amos Tutuola to those by Kojo Laing and Ben Okri, from Buchi Emecheta’s The Rape of Shavi (1983) to Ayi Kwei Armah’s Osiris Rising (1995), to works by Rachel Zadok, Doreen Baingana and Henrietta Rose-Innes. Naturally, the list is dominated by contemporary speculative fiction stars—Nnedi Okorafor, Lauren Beukes, Sofia Somatar, Helen Oyeyemi, Diane Awerbuck, Lesley Nneka Arimah—as well as by publications that helped push speculative fiction into the African literary mainstream: the Ivor Hartmann-edited anthologies, AfroSF: Science Fiction by African Writers (2012) and AfroSF V2: 5 Novellas (2015); the Bill Campell and Edward Austin Hall-edited Mothership: Tales from Afrofuturism and Beyond (2013); Jalada’s Afrofutures anthology (2015); the Margret Helgadottir and Jo Thomas-edited African Monsters (2015); Short Story Day Africa’s Terra Incognita (2015), Water (2016) and Migrations (2017) anthologies; the Billy Kahora-edited Imagine Africa 500 (2016); the speculative fiction magazine Omenana; and Brittle Paper.

Also listed are Jennifer Makumbi’s buzzing novel Kintu (2014), and works by Caine Prize winner Namwali Serpell, Gerald Kraak Award finalist Dilman Dila, and Caine Prize finalists Abdul Adan, Tendai Huchu and Chikodili Emelumadu.

Well done to Wole Talabi.

See the list HERE.

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Otosirieze is deputy editor of Brittle Paper. He is a judge for the 2018/19 Gerald Kraak Prize. He is an editor at 14, Nigeria’s first queer art collective, which has published volumes including We Are Flowers (2017) and The Inward Gaze (2018). He is the curator of the Art Naija Series, a sequence of e-anthologies of writing and visual art focusing on different aspects of Nigerianness, including Enter Naija: The Book of Places (2016), which explores cities, and Work Naija: The Book of Vocations (2017), which explores professions. His fiction has appeared in The Threepenny Review and Transition. He has completed a collection of short stories, You Sing of a Longing, is working on a novel, and is represented by David Godwin Associates literary agency. He combined English and History at the University of Nigeria, Nsukka, is completing a postgraduate degree in African Studies, and taught English at Godfrey Okoye University, Enugu. Find him at otosirieze.com, where he accepts writing and editing offers, or on Instagram or Twitter: @otosirieze. When bored, he Googles Rihanna.

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  1. Closing All My Tabs Tuesday | Gerry Canavan - 2017/09/12

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