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The announcement of the inaugural Nommo Awards shortlists, an initiative of the African Speculative Fiction Society (ASFS) to honour works of speculative fiction, was received with excitement. It shed light on an often overlooked genre that is now on its way to irreducible relevance.

But here is something even more revelatory: Wole Talabi, a member of the ASFS, has compiled a list of 654 works—short stories, story series, novellas, novels—of speculative fiction. Listed under the “Resources” section of the ASFS Website, this list is as exhaustive as anything. While most writing on it was published in the 2010s and 2000s, there are works from the ’90s, ’80s, ’60s, and ’50s.

Wole Talabi has compiled a list of African speculative fiction writing.

From the novels and short stories of Amos Tutuola to those by Kojo Laing and Ben Okri, from Buchi Emecheta’s The Rape of Shavi (1983) to Ayi Kwei Armah’s Osiris Rising (1995), to works by Rachel Zadok, Doreen Baingana and Henrietta Rose-Innes. Naturally, the list is dominated by contemporary speculative fiction stars—Nnedi Okorafor, Lauren Beukes, Sofia Somatar, Helen Oyeyemi, Diane Awerbuck, Lesley Nneka Arimah—as well as by publications that helped push speculative fiction into the African literary mainstream: the Ivor Hartmann-edited anthologies, AfroSF: Science Fiction by African Writers (2012) and AfroSF V2: 5 Novellas (2015); the Bill Campell and Edward Austin Hall-edited Mothership: Tales from Afrofuturism and Beyond (2013); Jalada’s Afrofutures anthology (2015); the Margret Helgadottir and Jo Thomas-edited African Monsters (2015); Short Story Day Africa’s Terra Incognita (2015), Water (2016) and Migrations (2017) anthologies; the Billy Kahora-edited Imagine Africa 500 (2016); the speculative fiction magazine Omenana; and Brittle Paper.

Also listed are Jennifer Makumbi’s buzzing novel Kintu (2014), and works by Caine Prize winner Namwali Serpell, Gerald Kraak Award finalist Dilman Dila, and Caine Prize finalists Abdul Adan, Tendai Huchu and Chikodili Emelumadu.

Well done to Wole Talabi.

See the list HERE.

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Otosirieze Nnaemekaram is a writer, an academic, and Deputy Editor of Brittle Paper. His fiction has appeared in The Threepenny Review ("Mulumba," 2016), Transition ("A Tenderer Blessing," 2015), and in an anthology of the Gerald Kraak Award for which he was shortlisted ("You Sing of a Longing," 2017). His work has further been shortlisted for the Miles Morland Writing Scholarship in 2016 and a Pushcart Prize in 2015. He attended the 2018 Miles Morland Foundation Creative Writing Workshop facilitated by Giles Foden. He is the curator of the ART NAIJA SERIES, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, ENTER NAIJA: THE BOOK OF PLACES (October, 2016), focuses on cities in Nigeria. The second, WORK NAIJA: THE BOOK OF VOCATIONS (June, 2017), focuses on professions in Nigeria. He studied History and Literature at the University of Nigeria, Nsukka, is currently completing a postgraduate programme in African Studies and Pop Culture, and teaches English at Godfrey Okoye University, Enugu. He has completed a collection of short stories and is working on a 600-page novel. When bored, he just Googles Rihanna.


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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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