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Professor Bernardine Evaristo receives her award at Brunel University’s College of Business, Arts & Social Sciences.

The novelist, critic, creative writing professor and founder of the Brunel International African Poetry Prize, Bernardine Evaristo, has been honoured with the Best Small Module Award 2017 at the inaugural Teach Brunel Awards in Brunel University, London. In 2014, she had been a finalist for the Brunel University London Inspirational Teacher Award.

This new honour, which is based on student ratings and feedback in Your View, was accorded her for her work in the university’s College of Business, Arts & Social Sciences. Her research areas at the College include contemporary British fiction, international/multi-culture fiction, historical fiction and alternate universe, Afro-diaspora interests, and verse fiction/ experimental fiction.

Bernardine’s teaching and mentoring is something we’re proud of. A staunch, longstanding advocate for the inclusion of artists and writers of colour, the British-Nigerian professor founded The Complete Works in 2008, a mentoring scheme which has since seen her protegees snag major recognition. One, Mona Arshi, won the 2015 Forward Prize for Best Debut Collection, and another, Sarah Howe, won the 2016 Sunday Times Young Writer of the Year Award.

In 2012, Bernardine founded the game-changing Brunel International African Poetry Prize, whose inaugural 2013 winner Warsan Shire has since collaborated with Beyonce, and whose partnership with the African Poetry Book Fund Next Generation Series has ensured publication for some of the continent’s rising poetry stars: Safia Elhillo, Inua Ellams, Viola Allo, Amy Lukau, Kayo Chingonyni, Gbenga Adesina, Nick Makoha.

The Vice Chair of the Royal Society of Literature and Fellow of the English Association, Bernadine was made an MBE in 2009 “for being a major voice in the multicultural panorama of multicultural British literature.”

The author of eight fiction books—including The Emperor’s Babe which won the 2000 Arts Council England Writer’s Award and was listed by The Times in their “100 Best Books of the Decade”; Blonde Roots which was nominated for the Orange Prize, the IMPAC Dublin Award and the Arthur C. Clarke Award in 2009; and Mr Loverman which won the 2014 Jerwood Fiction Uncovered Prize—her work has been translated into several languages, adapted into radio plays by BBC, and named Notable Book of the Year thirteen times in British newspapers.

Bernardine has judged a host of prizes, including the 2016 Goldsmiths Prize, the 2012 Caine Prize, and the 2012 Commonwealth Short Story Prize.

Congratulations to Bernardine Evaristo!

 

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young is a writer, an academic, and Deputy Editor of Brittle Paper. His fiction has appeared in The Threepenny Review ("Mulumba," 2016), Transition ("A Tenderer Blessing," 2015), and in an anthology of the Gerald Kraak Award ("You Sing of a Longing," 2017), for which he was shortlisted. His work has further been shortlisted for the Miles Morland Writing Scholarship in 2016 and a Pushcart Prize in 2015. He attended the 2018 Miles Morland Foundation Creative Writing Workshop facilitated by Giles Foden. He is the curator of the Art Naija Series, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness. The first, Enter Naija: The Book of Places (October, 2016), focuses on Nigerian cities. The second, Work Naija: The Book of Vocations (June, 2017), focuses on professions in Nigeria. He studied history and literature at the University of Nigeria, Nsukka, is currently completing a postgraduate programme in African Studies, and teaches English at Godfrey Okoye University, Enugu. When bored, he just Googles Rihanna.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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