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Image by Adias623 via Flickr. Caption: Sunset in Brooklyn.

See the Eastern Bluebirds,

that have known far wintering grounds.

Their orange-breasted dance and alert posture

in the trees with fruits.

The Yellow orchids that spring at the base of these trees,

an applause of colors to the birds, that they find a way

to stay alive.

It’s May, and I, too, have found a way

to stay alive.

The birds, we know, are kind

and sometimes on their long journeys, they hurt

one another. Yet they fly in formation.

What pulls one hurt bird to the other? Affection?

Or some ancient gravity older than the body sinned against.

As though there is an electric vow between them

that none of them would be allowed to fall.

I forgive those who hurt me.

I forgive myself.

What is good in me, I offer to the blue tailed thrushes

since I am, like them, a sea crossing child.

Their human knowing cry, almost love chorus.

My dead are still dead

But suddenly life

surrounds me.

 

 

About the Author:

Gbenga Adesina co-won the 2016 Brunel International African Poetry Prize. His poem, “How To Paint A Girl” was selected by Mathew Zapruder for its “clarity of observation and empathetic insight into the suffering of another” for the New York Times. His poetry manuscript, Holy Bodies, was a finalist for the 2017 Sillerman First Book Prize. He was a 2016 Norman Mailer Poetry Fellow at Pepperdine University, Malibu, California. He has received scholarships and residencies from Fine Arts Work Centre, Provincetown, and The Open Society Foundation in Goree Island, Senegal. His poetry chapbook, Painter of Water, was published by APBF and Akashic Books, New York in a series edited by Kwame Dawes and Chris Abani. His poems have appeared or forthcoming in Prairie Schooner, Brittle Paper, Vinyl, Ploughshares and elsewhere.

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About Otosirieze Obi-Young

View all posts by Otosirieze Obi-Young
Otosirieze Obi-Young is a writer, journalist, & Deputy Editor of Brittle Paper. The recipient of the inaugural The Future Awards Prize for Literature in 2019, he is a judge for The Gerald Kraak Prize and was a judge for The Morland Writing Scholarship in 2019. He is Nonfiction Editor at 14, Nigeria’s first queer art collective, which has published volumes including We Are Flowers (2017) and The Inward Gaze (2018). He is Curator at The Art Naija Series, a sequence of e-anthologies of writing and visual art focusing on different aspects of Nigerianness, including Enter Naija: The Book of Places (2016), which explores cities, and Work Naija: The Book of Vocations (2017), which explores professions. His work in queer equality advocacy in literature has been profiled in Literary Hub. His fiction has appeared in The Threepenny Review and Transition. He has completed a collection of short stories, You Sing of a Longing, is working on a novel, and is represented by David Godwin Associates literary agency. He has an M.A. in African Studies and a combined honours B.A. in History & International Studies/English & Literary Studies, both from the University of Nigeria, Nsukka. He taught English in a private Nigerian university. Find him at otosirieze.com, where he accepts writing and editing offers, or on Instagram or Twitter: @otosirieze. When bored, he Googles Rihanna.

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