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Dzogbese Lisa has treated me thus
It has led me among the sharps of the forest
Returning is not possible
And going forward is a great difficulty
The affairs of this world are like the chameleon faeces
Into which I have stepped
When I clean it cannot go.
I am on the world’s extreme corner,
I am not sitting in the row with the eminent
But those who are lucky
Sit in the middle and forget
I am on the world’s extreme corner
I can only go beyond and forget.
My people, I have been somewhere
If I turn here, the rain beats me
If I turn there the sun burns me
The firewood of this world
Is for only those who can take heart
That is why not all can gather it.
The world is not good for anybody
But you are so happy with your fate;
Alas! the travelers are back
All covered with debt.
Something has happened to me The things so great that I cannot weep
I have no sons to fire the gun when I die
And no daughter to wail when I close my mouth
I have wandered on the wilderness
The great wilderness men call life
The rain has beaten me,
And the sharp stumps cut as keen as knives
I shall go beyond and rest.
I have no kin and no brother,
Death has made war upon our house;
And Kpeti’s great household is no more,
Only the broken fence stands;
And those who dared not look in his face
Have come out as men.
How well their pride is with them.
Let those gone before take note
They have treated their offspring badly.
What is the wailing for?
Somebody is dead. Agosu himself
Alas! a snake has bitten me
My right arm is broken,
And the tree on which I lean is fallen.
Agosi if you go tell them,
Tell Nyidevu, Kpeti, and Kove
That they have done us evil;
Tell them their house is falling
And the trees in the fence
Have been eaten by termites
That the martels curse them.
Ask them why they idle there
While we suffer, and eat sand.
And the crow and the vulture
Hover always above our broken fences
And strangers walk over our portion.

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I hold a doctorate in English from Duke University and recently joined the Marquette University English faculty as an Assistant Professor. I love teaching African fiction and contemporary British novels. Brittle Paper is the virtual space/station where I play and experiment with ideas on how to reinvent African fiction and literary culture.

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Demons in the Villa | Excerpt from Ebenezer Obadare’s Pentecostal Republic

pentecostal republics ebenezer obadare

Pentecostal Republic takes a hard look at the influence of pentecostalism in Nigerian politics. Prof. Obadare is a sociologist, who […]

Yasmin Belkhyr, Romeo Oriogun, Liyou Libsekal, JK Anowe Featured in Forthcoming 20.35 Africa Anthology Guest-Edited by Gbenga Adesina and Safia Elhillo

20.35 africa contributors

In February, we announced a call for submissions for a new poetry project. The anthology, 20.35 Africa: An Anthology of Contemporary Poetry, […]

On Black and Arab Identities: Safia Elhillo’s Arab American Book Awards Acceptance Speech

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Safia Elhillo has won the 2018 Arab American Book Award, also known as the George Ellenbogen Poetry Award, for her […]

Attend the Second Edition of the Write with Style Workshop with Oris Aigbokhaevbolo

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Following the first edition of the Write With Style Workshop, the award-winning writer, critic, and journalist Oris Aigbokhaevbolo is hosting […]

Ngugi’s Novel, Matigari, Is Being Adapted to Film by Nollywood Director Kunle Afolayan

Kenyan author Ngugi wa ThiongÕo, Distinguished Professor of English and comparative literature at UC Irvine, is on the short list for the 2010 Nobel Prize in literature, for xxx(add phrase or blurb here from award announcement; 

Chancellor quote? Christine writing and getting approved quote).

Ngugi, whose name is pronounced ÒGoogyÓ and means Òwork,Ó is a prolific writer of novels, plays, essays and childrenÕs literature. Many of these have skewered the harsh sociopolitical conditions of post-Colonial Kenya, where he was born, imprisoned by the government and forced into exile.

His recent works have been among his most highly acclaimed and include what some consider his finest novel, ÒMurogi wa KagogoÓ (ÒWizard of the CrowÓ), a sweeping 2006 satire about globalization that he wrote in his native Gikuyu language. In his 2009 book ÒSomething Torn & New: An African Renaissance,Ó Ngugi argues that a resurgence of African languages is necessary to the restoration of African wholeness.

ÒI use the novel form to explore issues of wealth, power and values in society and how their production and organization in society impinge on the quality of a peopleÕs spiritual life,Ó he has said.

Ngugi wa Thiong’o’s 1987 novel Matigari is being adapted to film by Nollywood director Kunle Afolayan in a co-production with yet undisclosed Kenyan […]

Safia Elhillo Makes a Fashion Statement at the Arab American Book Awards

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From Taiye Selasi’s dreamy designer collections and Chimamanda Ngozi Adichie’s flayed sleeves and Dior collaboration to Alain Mabanckou’s dapper suits […]

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